《癡心女子負心郎》講述什么樣的故事？
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
1、《癡心女子負心郎》是在哪一年上映的？
《癡心女子負心郎》是劉易斯·艾倫于1948年拍攝上映的一部經(jīng)典劇情片。此片開創(chuàng)了美國當代劇情片的先河，《癡心女子負心郎》上映時票房穩(wěn)坐國內(nèi)外前三，創(chuàng)下當年最佳紀錄。在當時雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德均為最佳演員，雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德以精彩演技和完美的形象，奠定在美國影視地位。雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德飾演角色多年后仍為大眾爭相模仿。劉易斯·艾倫之前曾被人懷疑其能力，而《癡心女子負心郎》卻奠定劉易斯·艾倫劇情片風格。《癡心女子負心郎》首映時曾獲海外劇情片和媒體廣泛好評，被認為其優(yōu)秀程度，是足以與同時期（指1980年代）好萊塢（好萊塢）優(yōu)秀劇情片齊名。
2、被稱為劇情片的開先河之作的《癡心女子負心郎》，是劉易斯·艾倫最好的作品嗎?
從劉易斯·艾倫斬獲劇情片最佳導演 我就覺得這部《癡心女子負心郎》是他最好的劇情片。雖然劉易斯·艾倫后來還拍出來了評價特別好的劇情片，但是《癡心女子負心郎》是他劇情片的代表作品。
3、《癡心女子負心郎》為什么能成為經(jīng)典之作？
提起美國劇情片，人們就肯定會說出《癡心女子負心郎》的名字。這部由劉易斯·艾倫導演，雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德主演的《癡心女子負心郎》，在當時，真的是成為了一匹黑馬，殺出了一條血路，創(chuàng)造了一個奇跡。為何會這么說，我想，就連劉易斯·艾倫導演和雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德，都沒想到這部劇情片會得到這樣好的反響。劉易斯·艾倫先生曾說過，這是一群失意的人湊到了一起創(chuàng)作出來的一部作品。因為在《癡心女子負心郎》開拍之前，雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德已經(jīng)有4年無戲可拍，而雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德主演的劇情片，票房始終不理想，這樣的幾個人湊在了一起，也真是緣分！所以，正是這樣的失意感和強烈的自尊心，他們在劇情片中投入的熱情，是我們難以想象的，其實《癡心女子負心郎》中的人物心理歷程和感人的劇情，何嘗不是現(xiàn)實中他們的真實寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實力和人情成就了這部經(jīng)典劇情片，也成就了他們自己！
4、如何評價《癡心女子負心郎》?
《癡心女子負心郎》口碑非常好深受廣大觀眾喜愛，《癡心女子負心郎》一經(jīng)播放立刻引來無數(shù)人關注，不僅雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德演的好而且該劇情片故事情節(jié)也非常緊湊，影視大全（howtotuto.com）觀看起來特別流暢同時還能扣人心弦，即使目前《癡心女子負心郎》收視率不佳但是該片目前受歡迎程度已經(jīng)蒸蒸日上。該劇情片主演雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德，她在該劇情片中的演技可圈可點，受到雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德演的好而且該劇情片迷的認可。
5、《癡心女子負心郎》劇情片的主要內(nèi)容
《癡心女子負心郎》是一部劇情片劇情片，由導演：劉易斯·艾倫執(zhí)導，主演：雷·米蘭德,安·托德,杰拉丁·菲茨杰拉德，
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
6、《癡心女子負心郎》是劉易斯·艾倫導演的一部經(jīng)典的劇情美國片大全，該劇講述了：Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, alte，想看更多的相關影視作品，請收藏我們的網(wǎng)站：howtotuto.com
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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