《紅花之歌》講述什么樣的故事？
“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
1、《紅花之歌》是在哪一年上映的？
《紅花之歌》是莫里茲·斯蒂勒于1919年拍攝上映的一部經(jīng)典劇情片。此片開創(chuàng)了其它當(dāng)代劇情片的先河，《紅花之歌》上映時票房穩(wěn)坐國內(nèi)外前三，創(chuàng)下當(dāng)年最佳紀(jì)錄。在當(dāng)時Greta,Almroth,Arvid,Dahlberg,約翰·?？寺鶠樽罴蜒輪T，Greta,Almroth,Arvid,Dahlberg,約翰·?？寺跃恃菁己屯昝赖男蜗?，奠定在其它影視地位。Greta,Almroth,Arvid,Dahlberg,約翰·?？寺椦萁巧嗄旰笕詾榇蟊姞幭嗄７?。莫里茲·斯蒂勒之前曾被人懷疑其能力，而《紅花之歌》卻奠定莫里茲·斯蒂勒劇情片風(fēng)格?！都t花之歌》首映時曾獲海外劇情片和媒體廣泛好評，被認(rèn)為其優(yōu)秀程度，是足以與同時期（指1980年代）好萊塢（好萊塢）優(yōu)秀劇情片齊名。
2、被稱為劇情片的開先河之作的《紅花之歌》，是莫里茲·斯蒂勒最好的作品嗎?
從莫里茲·斯蒂勒斬獲劇情片最佳導(dǎo)演 我就覺得這部《紅花之歌》是他最好的劇情片。雖然莫里茲·斯蒂勒后來還拍出來了評價特別好的劇情片，但是《紅花之歌》是他劇情片的代表作品。
3、《紅花之歌》為什么能成為經(jīng)典之作？
提起其它劇情片，人們就肯定會說出《紅花之歌》的名字。這部由莫里茲·斯蒂勒導(dǎo)演，Greta,Almroth,Arvid,Dahlberg,約翰·?？寺餮莸摹都t花之歌》，在當(dāng)時，真的是成為了一匹黑馬，殺出了一條血路，創(chuàng)造了一個奇跡。為何會這么說，我想，就連莫里茲·斯蒂勒導(dǎo)演和Greta,Almroth,Arvid,Dahlberg,約翰·?？寺?，都沒想到這部劇情片會得到這樣好的反響。莫里茲·斯蒂勒先生曾說過，這是一群失意的人湊到了一起創(chuàng)作出來的一部作品。因為在《紅花之歌》開拍之前，Greta,Almroth,Arvid,Dahlberg,約翰·?？寺呀?jīng)有4年無戲可拍，而Greta,Almroth,Arvid,Dahlberg,約翰·?？寺餮莸膭∏槠?，票房始終不理想，這樣的幾個人湊在了一起，也真是緣分！所以，正是這樣的失意感和強(qiáng)烈的自尊心，他們在劇情片中投入的熱情，是我們難以想象的，其實《紅花之歌》中的人物心理歷程和感人的劇情，何嘗不是現(xiàn)實中他們的真實寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實力和人情成就了這部經(jīng)典劇情片，也成就了他們自己！
4、如何評價《紅花之歌》?
《紅花之歌》口碑非常好深受廣大觀眾喜愛，《紅花之歌》一經(jīng)播放立刻引來無數(shù)人關(guān)注，不僅Greta,Almroth,Arvid,Dahlberg,約翰·?？寺莸暮枚以搫∏槠适虑楣?jié)也非常緊湊，影視大全（howtotuto.com）觀看起來特別流暢同時還能扣人心弦，即使目前《紅花之歌》收視率不佳但是該片目前受歡迎程度已經(jīng)蒸蒸日上。該劇情片主演Greta,Almroth,Arvid,Dahlberg,約翰·埃克曼，她在該劇情片中的演技可圈可點，受到Greta,Almroth,Arvid,Dahlberg,約翰·?？寺莸暮枚以搫∏槠缘恼J(rèn)可。
5、《紅花之歌》劇情片的主要內(nèi)容
《紅花之歌》是一部劇情片劇情片，由導(dǎo)演：莫里茲·斯蒂勒執(zhí)導(dǎo)，主演：Greta,Almroth,Arvid,Dahlberg,約翰·?？寺?，
“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
6、《紅花之歌》是莫里茲·斯蒂勒導(dǎo)演的一部經(jīng)典的劇情其它片大全，該劇講述了：“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent ，想看更多的相關(guān)影視作品，請收藏我們的網(wǎng)站：howtotuto.com
“Sangen Om Den Eldr?da Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today. The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fr?ulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster. As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself. “Sangen Om Den Eldr?da Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
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