《芳心封鎖》講述什么樣的故事？
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
1、《芳心封鎖》是在哪一年上映的？
《芳心封鎖》是Gilberto,Tofano于1969年拍攝上映的一部經(jīng)典劇情片。此片開創(chuàng)了其它當代劇情片的先河，《芳心封鎖》上映時票房穩(wěn)坐國內(nèi)外前三，創(chuàng)下當年最佳紀錄。在當時Gila,Almagor均為最佳演員，Gila,Almagor以精彩演技和完美的形象，奠定在其它影視地位。Gila,Almagor飾演角色多年后仍為大眾爭相模仿。Gilberto,Tofano之前曾被人懷疑其能力，而《芳心封鎖》卻奠定Gilberto,Tofano劇情片風格?！斗夹姆怄i》首映時曾獲海外劇情片和媒體廣泛好評，被認為其優(yōu)秀程度，是足以與同時期（指1980年代）好萊塢（好萊塢）優(yōu)秀劇情片齊名。
2、被稱為劇情片的開先河之作的《芳心封鎖》，是Gilberto,Tofano最好的作品嗎?
從Gilberto,Tofano斬獲劇情片最佳導演 我就覺得這部《芳心封鎖》是他最好的劇情片。雖然Gilberto,Tofano后來還拍出來了評價特別好的劇情片，但是《芳心封鎖》是他劇情片的代表作品。
3、《芳心封鎖》為什么能成為經(jīng)典之作？
提起其它劇情片，人們就肯定會說出《芳心封鎖》的名字。這部由Gilberto,Tofano導演，Gila,Almagor主演的《芳心封鎖》，在當時，真的是成為了一匹黑馬，殺出了一條血路，創(chuàng)造了一個奇跡。為何會這么說，我想，就連Gilberto,Tofano導演和Gila,Almagor，都沒想到這部劇情片會得到這樣好的反響。Gilberto,Tofano先生曾說過，這是一群失意的人湊到了一起創(chuàng)作出來的一部作品。因為在《芳心封鎖》開拍之前，Gila,Almagor已經(jīng)有4年無戲可拍，而Gila,Almagor主演的劇情片，票房始終不理想，這樣的幾個人湊在了一起，也真是緣分！所以，正是這樣的失意感和強烈的自尊心，他們在劇情片中投入的熱情，是我們難以想象的，其實《芳心封鎖》中的人物心理歷程和感人的劇情，何嘗不是現(xiàn)實中他們的真實寫照呢？所以，他們懷著一腔心有不甘的英雄氣，用他們的實力和人情成就了這部經(jīng)典劇情片，也成就了他們自己！
4、如何評價《芳心封鎖》?
《芳心封鎖》口碑非常好深受廣大觀眾喜愛，《芳心封鎖》一經(jīng)播放立刻引來無數(shù)人關注，不僅Gila,Almagor演的好而且該劇情片故事情節(jié)也非常緊湊，影視大全（howtotuto.com）觀看起來特別流暢同時還能扣人心弦，即使目前《芳心封鎖》收視率不佳但是該片目前受歡迎程度已經(jīng)蒸蒸日上。該劇情片主演Gila,Almagor，她在該劇情片中的演技可圈可點，受到Gila,Almagor演的好而且該劇情片迷的認可。
5、《芳心封鎖》劇情片的主要內(nèi)容
《芳心封鎖》是一部劇情片劇情片，由導演：Gilberto,Tofano執(zhí)導，主演：Gila,Almagor，
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
6、《芳心封鎖》是Gilberto,Tofano導演的一部經(jīng)典的劇情其它片大全，該劇講述了：The issue of War widow representation in Israeli cinema is one of the most complex for the local ind，想看更多的相關影視作品，請收藏我們的網(wǎng)站：howtotuto.com
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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