片名:造物的奇跡
關鍵詞:《造物的奇跡》在線觀看
類型:科幻
發(fā)行年份:1925
首映地區(qū):其它
導演:Hanns,Walter,Kornblum
演員:Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl
更新時間:2025-11-20 00:20:21
《造物的奇跡》講述什么樣的故事?
1、《造物的奇跡》是在哪一年上映的?
《造物的奇跡》是Hanns,Walter,Kornblum于1925年拍攝上映的一部經(jīng)典科幻片。此片開創(chuàng)了其它當代科幻片的先河,《造物的奇跡》上映時票房穩(wěn)坐國內外前三,創(chuàng)下當年最佳紀錄。在當時Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl均為最佳演員,Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl以精彩演技和完美的形象,奠定在其它影視地位。Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl飾演角色多年后仍為大眾爭相模仿。Hanns,Walter,Kornblum之前曾被人懷疑其能力,而《造物的奇跡》卻奠定Hanns,Walter,Kornblum科幻片風格。《造物的奇跡》首映時曾獲海外科幻片和媒體廣泛好評,被認為其優(yōu)秀程度,是足以與同時期(指1980年代)好萊塢(好萊塢)優(yōu)秀科幻片齊名。
2、被稱為科幻片的開先河之作的《造物的奇跡》,是Hanns,Walter,Kornblum最好的作品嗎?
從Hanns,Walter,Kornblum斬獲科幻片最佳導演 我就覺得這部《造物的奇跡》是他最好的科幻片。雖然Hanns,Walter,Kornblum后來還拍出來了評價特別好的科幻片,但是《造物的奇跡》是他科幻片的代表作品。
3、《造物的奇跡》為什么能成為經(jīng)典之作?
提起其它科幻片,人們就肯定會說出《造物的奇跡》的名字。這部由Hanns,Walter,Kornblum導演,Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl主演的《造物的奇跡》,在當時,真的是成為了一匹黑馬,殺出了一條血路,創(chuàng)造了一個奇跡。為何會這么說,我想,就連Hanns,Walter,Kornblum導演和Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl,都沒想到這部科幻片會得到這樣好的反響。Hanns,Walter,Kornblum先生曾說過,這是一群失意的人湊到了一起創(chuàng)作出來的一部作品。因為在《造物的奇跡》開拍之前,Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl已經(jīng)有4年無戲可拍,而Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl主演的科幻片,票房始終不理想,這樣的幾個人湊在了一起,也真是緣分!所以,正是這樣的失意感和強烈的自尊心,他們在科幻片中投入的熱情,是我們難以想象的,其實《造物的奇跡》中的人物心理歷程和感人的劇情,何嘗不是現(xiàn)實中他們的真實寫照呢?所以,他們懷著一腔心有不甘的英雄氣,用他們的實力和人情成就了這部經(jīng)典科幻片,也成就了他們自己!
4、如何評價《造物的奇跡》?
《造物的奇跡》口碑非常好深受廣大觀眾喜愛,《造物的奇跡》一經(jīng)播放立刻引來無數(shù)人關注,不僅Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl演的好而且該科幻片故事情節(jié)也非常緊湊,影視大全(hnctsl.com)觀看起來特別流暢同時還能扣人心弦,即使目前《造物的奇跡》收視率不佳但是該片目前受歡迎程度已經(jīng)蒸蒸日上。該科幻片主演Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl,她在該科幻片中的演技可圈可點,受到Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl演的好而且該科幻片迷的認可。
5、《造物的奇跡》科幻片的主要內容
《造物的奇跡》是一部科幻片科幻片,由導演:Hanns,Walter,Kornblum執(zhí)導,主演:Margarete,Sch?n,Theodor,Loos,Paul,Bildt,Margarethe,Schlegel,Oscar,Marion,Willy,Kaiser-Heyl,
6、《造物的奇跡》是Hanns,Walter,Kornblum導演的一部經(jīng)典的科幻其它片大全,該劇講述了:Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human k,想看更多的相關影視作品,請收藏我們的網(wǎng)站:hnctsl.com
Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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